END OF YEAR: The Good, The Bad, The Ugly

Greetings! I hope this finds you well! HAPPY NEW YEAR!

Welcome to the first Noozletter of 2019 (or the last one of 2018, depending on your time zone). As we cross over into the new year, I like to pause and reflect on the one past. It was in many respects a great year, but with a couple of serious bad points that cannot be ignored. The Good The Bad The Ugly

For the good:

Highlight Performances

I enjoyed virtually all of my 2018 gigs, but there are a couple of standouts. The audience rising up and dancing spontaneously to my music in Lima Peru thrilled me to the core. Being able to share the bill with Yasuaki Shimizu at the Barbicon Center in London was a distinct pleasure. Any chance to collaborate with Sankaijuku dancer/choreographer Dai Matsuoka never disappoints. And playing my compositions on a mostly-folk series in a small village in Scotland where the audience had little to no exposure to live experimental computer music yet gave me a rousing ovation and bought all my merchandise, was like a dream come true.

Travel

While still based in Japan I had a number of overseas tours and run-outs. Two tours in Europe, one solo and one with my musical partner Miki Yui as Realistic Monk. It was tremendous fun to visit Peru for the first time – wonderful people, great audiences, and some terrific food. I was able to follow up my first visit to Scotland by a second trip two months later. Both were great fun – and despite any stereotypes, I had a number of excellent meals there.

Media Attention

New releases

  • In June, Unseen Worlds released the follow-up to my 2016 release of archival works. This one is called New Electronic Music from the Eighties and Nineties. As before, I was very happy with the response from both the public and the critics. The first pressing sold out in a matter of weeks, and some of the reviews are quoted in other parts of this letter. I couldn’t be happier working with IUnseen Worlds, and am looking forward to a new release with them in 2019, featuring my recent work from the past couple of years. http://www.unseenworlds.com/releases/electronic-music-from-the-eighties-and-nineties
  • In September, Meakusma released Realm, the first album of REALISTIC MONK, my duo project with Japanese born, German based sound artist Miki Yui. With liner notes from David Toop, this release has proved a hit especially amongst lovers of experimental ambient cinema sonore. https://meakusma.bandcamp.com/album/realm-2

Collaborators

Big thanks to all my wonderful collaborators this past year! It has been so great working with each and every one of you.
Akaihirume, Pearl Alexander, Altered States, Anna Irite, Soo Yeon Lyuh, Dai Matsuoka, Ned Rothenberg, SAEBORG, Yasuaki Shimizu, Aki Takahashi, Ami Yamasaki, Miki Yui – Bless you all!

For the Bad:

Without question the darkest moment in the year was the sudden passing of my longtime friend, critic Jonathan Gold. Not only was he a good friend and great eating partner but always a staunch supporter of my music. He plugged me numerous times in his columns, wrote program notes for my concert at the Getty Center and did the liner notes for my first LP release on Unseen Worlds. But more than that, he was a just a great guy in every sense and his disappearance is a terrible loss for Los Angeles in particular. I was heartened by the tremendous outpouring of love that the city showed after he passed, from changing the lights at City Hall and LAX airport, naming a plaza in front of Grand Central Market, and many other tributes. It is going to be very strange to visit LA next time without him there. https://www.nytimes.com/2018/07/21/obituaries/jonathan-gold-dead-los-angeles-food-critic.html

 

For the Ugly

What, Donald Trump is still president? Are you kidding??? We really have to do something about that PRONTO.

On the horizon:

A three city tour in Taiwan with Akaihirume in January. Performing in New York and at The Big Ears Festival (Knoxville) in March. Berlin in June. DUBLAB will be hosting a serial presentation of some of my composer interviews originally broadcast on KPFK in the 1980’s, including Steve Reich, Terry Riley, Chen Yi, Toru Takemitsu and more.

==========

Keep your ears peeled!
Sign up for email alerts at http://carlsto.net

Follow Carl on Twitter: @carlstone

Instagram: #therealcarlstone

Carl Stone Music Page on Facebook: http://www.facebook.com/pages/Carl-Stone/50688882909

News/Schedule/Photos/Music Clips: http://www.rlsto.net/Nooz/

January 27 7:30 PM Taipei Taiwan VENUE Birds Singing in the Universe Tour

Sunday January 27 2019 7:30 PM
Carl Stone + Akaihirume make their Taiwan debut as a duo. as the Birds Singing in the Universe Tour kicks off in Taipei. Included in the evening will be a collaboration with the award-winning Arts Blooming Ensemble.

Artists:

  • Carl Stone + Akaihirume
  • Arts Blooming Ensemble

VENUE
104 No. 10, Lane 107, Linsen North Road, Zhongshan District, Taipei City
Taipei Taiwan
886 2 2542 9692
service@venue.tw
http://www.venue.tw/
https://bloomingarts.blogspot.com

January 28 7:30PM Kaohsiung City Taiwan Kaohsiung Experimental Theater Birds Singing in the Universe Tour

Monday January 28 2019 7:30PM
The Birds Singing in the Universe Tour continues as Carl Stone + Akaihirume come to the Kaohsiung Experimental Theater. Included in the evening will be a collaboration with the award-winning Arts Blooming Ensemble.

Artists:

  • Carl Stone + Akaihirume
  • Arts Blooming Ensemble

Kaohsiung Experimental Theater
Gushan District, No. 99th Penglai Road, Kaohsiung City Pier-2 art center B9 Warehouse
Kaohsiung City Taiwan

https://bloomingarts.blogspot.com
https://www.facebook.com/artsblooming2008/

January 29 8:00 PM Tainan Seety Birds Singing in the Universe Tour

Tuesday January 29 2019 8:00 PM
The Birds Singing in the Universe Tour concludes as Carl Stone + Akaihirume travel to Tainan City and perform at music venue SEETY. Included in the evening will be a collaboration with the award-winning Arts Blooming Ensemble.

Artists:

  • Carl Stone + Akaihirume
  • Arts Blooming Ensemble

Tainan Seety
700, 190-2 Minzu Road Section 3,West Central District, Tainan City

https://bloomingarts.blogspot.com
https://www.facebook.com/seetytainan/

March 21-24 time tba Knoxville TN Big Ears Festival 2019


Thursday March 21 2019 time tba
Carl joins the fun at this year’s Big Ears festival. The lineup is again unlike any other in the country, mixing an audacious slate of special programs, central themes, and world premieres with powerful sets from some of music’s most compelling new voices. Big Ears 2019 will turn Knoxville into one of the world’s creative epicenters for a remarkable long weekend, March 21-24

More information:
TWITTER: @BigEarsFestival
INSTAGRAM: #BigEarsKnox
FACEBOOK: Search @BigEarsFestival

https://bigearsfestival.org/tickets/

www.bigearsfestival.org

Ticket Information: https://bigearsfestival.org/tickets/
Knoxville TN

www.bigearsfestival.org

The Wire Reviews Realistic Monk at Cafe Oto for its Historic 400th Issue

“Drones and soundscapes in the cosy interior of Cafe Oto are the ideal counterpoint to a dank early spring afternoon in London, but the real draw that’s brought so many out are solo and combined performances by two innovating musicians…put the two together, the soft and subtle crafting of Miki Yui and the popped out veins of Carl Stone’s heavyweight sample manipulations and you have Realistic Monk, the unlikely two halves of a circle.”

Read the full review here

Go to The Wire here

Holy smokes! You can download the entire set here

Zurkonic Reviews Our Brooklyn Concert March 2017

“I’ve never been moved to jump out of my seat at the end of the performance but I’ll be damned if I didn’t even realize I was standing until I had been clapping rapturously along with the rest of the crowd for a couple minutes.

“The show’s last piece would be the one that solidified Stone as a master of the craft. What unfolded onstage was both sonically accessible and temporally exhaustive as the singer (Akaihirume) and the composer entered into what could be described as an esoteric and aural courting dance that entranced the entire audience.

“I’ve never been one to really romanticize the idea of traveling with a band around the country, but if Carl Stone ever gets the mainstream recognition that elder statesmen like Steve Reich and Philip Glass enjoy, then I might find myself on some strange trip to have my preconceptions about music challenged at every chance.”

Read the full review here.

go back to Press Clippings
go back to Recordings