{"id":995,"date":"2016-10-04T17:42:27","date_gmt":"2016-10-04T17:42:27","guid":{"rendered":"http:\/\/www.rlsto.net\/Nooz\/?p=995"},"modified":"2017-03-27T17:27:46","modified_gmt":"2017-03-27T17:27:46","slug":"new-3-lp","status":"publish","type":"post","link":"https:\/\/www.rlsto.net\/Nooz\/2016\/10\/04\/new-3-lp\/","title":{"rendered":"NEW 3-LP ALBUM NOW RELEASED"},"content":{"rendered":"

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\nCARL STONE Electronic Music from the Seventies and Eighties<\/strong><\/span><\/p>\n

“a missing link, not only in the history of avant-garde and electronic music, but within the entire body of arranged sound (popular or otherwise).” – The Hum<\/em><\/a><\/p>\n

“stunning …. full of purring drones that at first appear to hardly be moving, only to have them slowly slide and reveal infinite amounts of overtones…lovely, prickly, meditative, and maddening” – Pitchfork<\/em><\/a><\/p>\n

“The eight pieces ….on this three-LP collection of pioneering work by American electro-acoustic composer Carl Stone constitute an oft-mesmerizing two-and-a-half hours…(Shing Kee is) spellbinding.” – Textura<\/a><\/p>\n

“Astounding …dizzying hall-of-mirrors refractions built from tiny fragments of Asian pop, American R&B and classical…. Stone\u2019s resourcefulness and originality is unmistakable, and these sounds remain fresh decades later.”
\nBest of Bandcamp Contemporary Classical: November 2016<\/a><\/p>\n

“It lights up our pleasure centres like a quid in a fruit machine….It\u2019s all totally new to us and feels like somebody just opened a big skylight onto our listening lives, flooding us with new sensations……Not to be missed by anyone with a taste for innovative electronic music of the rarest order.” – Boomkat<\/a><\/p>\n

“Jaw-dropping maximalist achievement, done so through a minimalist methodology\u2026..compositions that, much like the CalArts music library Stone spent many of his hours in, reveal endless surprises and delights upon each listen\u2026.incredibly rewarding album.” – Zurkonics<\/a><\/p>\n

 <\/p>\n

Find out about it here<\/a>
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go\u00a0back<\/a><\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

CARL STONE Electronic Music from the Seventies and Eighties “a missing link, not only in the history of avant-garde and electronic music, but within the entire body of arranged sound (popular or otherwise).” – The Hum “stunning …. full of purring drones that at first appear to hardly be moving, only to have them slowly … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19,36],"tags":[],"class_list":["post-995","post","type-post","status-publish","format-standard","hentry","category-announcements","category-recordings"],"_links":{"self":[{"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/posts\/995","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/comments?post=995"}],"version-history":[{"count":10,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/posts\/995\/revisions"}],"predecessor-version":[{"id":1541,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/posts\/995\/revisions\/1541"}],"wp:attachment":[{"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/media?parent=995"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/categories?post=995"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/tags?post=995"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}