{"id":4934,"date":"2026-02-03T04:32:29","date_gmt":"2026-02-03T04:32:29","guid":{"rendered":"https:\/\/www.rlsto.net\/Nooz\/?p=4934"},"modified":"2026-02-03T04:32:29","modified_gmt":"2026-02-03T04:32:29","slug":"the-press-speaks","status":"publish","type":"post","link":"https:\/\/www.rlsto.net\/Nooz\/2026\/02\/03\/the-press-speaks\/","title":{"rendered":"THE PRESS SPEAKS!"},"content":{"rendered":"<h4><a href=\"http:\/\/www.rlsto.net\/Nooz\/wp-content\/uploads\/2026\/02\/the-Press-Speaks.png\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-4941 aligncenter\" src=\"http:\/\/www.rlsto.net\/Nooz\/wp-content\/uploads\/2026\/02\/the-Press-Speaks-300x300.png\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.rlsto.net\/Nooz\/wp-content\/uploads\/2026\/02\/the-Press-Speaks-300x300.png 300w, https:\/\/www.rlsto.net\/Nooz\/wp-content\/uploads\/2026\/02\/the-Press-Speaks-150x150.png 150w, https:\/\/www.rlsto.net\/Nooz\/wp-content\/uploads\/2026\/02\/the-Press-Speaks-768x768.png 768w, https:\/\/www.rlsto.net\/Nooz\/wp-content\/uploads\/2026\/02\/the-Press-Speaks.png 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/h4>\n<h4><span style=\"color: #ff6600;\"><strong>1. Electronic Music from 1972-2022 (50th Anniversary Release)<\/strong><\/span><\/h4>\n<p>The Wire: Described this retrospective as being &#8220;filled with irony, misdirection and enchanting mischief,&#8221; noting that the best way to listen is to &#8220;delight in the sheer charm.&#8221;<\/p>\n<p>Obladada: Called it a &#8220;staggering&#8221; overview of his career, specifically highlighting that even his teenage compositions are &#8220;nothing short of staggering&#8221; and &#8220;knock you sideways from pure dazzling creativity.&#8221;<\/p>\n<h4><span style=\"color: #ff6600;\"><strong>2. Himalaya (2019)<\/strong><\/span><\/h4>\n<p>The Wire (Best of 2019, #14): Remarked that &#8220;the world\u2019s pop music has become putty in Stone\u2019s hands,&#8221; and that each piece feels like it could &#8220;reassemble its particles infinitely.&#8221;<\/p>\n<p>Artforum: Ranked it at #5 on their &#8220;Best Music of 2019&#8221; list.<\/p>\n<h4><span style=\"color: #ff6600;\"><strong>3. Baroo (2019)<\/strong><\/span><\/h4>\n<p>Pitchfork: Included it in the &#8220;Best Experimental Albums of 2019,&#8221; describing the listening experience as &#8220;like a vivid and recurrent memory of somewhere you have never been, or an everyday experience suddenly made inexplicable and strange.&#8221;<\/p>\n<p>Relix: Described the album as &#8220;hypercaffeinated&#8221; and &#8220;music that can hit your ear holes like a DMT flash,&#8221; praising Stone\u2019s &#8220;speed-racer loops.&#8221;<\/p>\n<h4><span style=\"color: #ff6600;\"><strong>4. Stolen Car (2020)<\/strong><\/span><\/h4>\n<p>Brainwashed: Called the album a &#8220;gleefully deranged place to be,&#8221; describing the track &#8220;Pasjoli&#8221; as sounding like &#8220;an Egyptian disco album being pulled apart by a black hole in the middle of an &#8217;80s hip hop block party.&#8221;<\/p>\n<p>The Wire: Named it one of the &#8220;Top 50 Albums of 2020.&#8221;<\/p>\n<h4><span style=\"color: #ff6600;\"><strong>5. Mom\u2019s (1991)<\/strong><\/span><\/h4>\n<p>All Music Guide: Hailed the album as Stone\u2019s &#8220;masterpiece,&#8221; specifically describing the title track as a &#8220;jubilant, kinetic symphony of ecstatic international samples&#8221; that feels like &#8220;several hours of travel shows in 11 minutes.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>1. Electronic Music from 1972-2022 (50th Anniversary Release) The Wire: Described this retrospective as being &#8220;filled with irony, misdirection and enchanting mischief,&#8221; noting that the best way to listen is to &#8220;delight in the sheer charm.&#8221; Obladada: Called it a &#8220;staggering&#8221; overview of his career, specifically highlighting that even his teenage compositions are &#8220;nothing short &hellip; <a href=\"https:\/\/www.rlsto.net\/Nooz\/2026\/02\/03\/the-press-speaks\/\" class=\"more-link\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[50],"tags":[],"class_list":["post-4934","post","type-post","status-publish","format-standard","hentry","category-press"],"_links":{"self":[{"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/posts\/4934","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/comments?post=4934"}],"version-history":[{"count":8,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/posts\/4934\/revisions"}],"predecessor-version":[{"id":4943,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/posts\/4934\/revisions\/4943"}],"wp:attachment":[{"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/media?parent=4934"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/categories?post=4934"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/tags?post=4934"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}