{"id":2871,"date":"2019-12-18T04:51:24","date_gmt":"2019-12-18T04:51:24","guid":{"rendered":"http:\/\/www.rlsto.net\/Nooz\/?p=2871"},"modified":"2019-12-18T04:51:24","modified_gmt":"2019-12-18T04:51:24","slug":"baroo-himalaya-albums-both-named-best-of-2019-by-the-wire-pitchfork-artforum-bandcamp","status":"publish","type":"post","link":"https:\/\/www.rlsto.net\/Nooz\/2019\/12\/18\/baroo-himalaya-albums-both-named-best-of-2019-by-the-wire-pitchfork-artforum-bandcamp\/","title":{"rendered":"Baroo & Himalaya Albums Both Named “Best of 2019” by The Wire, Pitchfork, Artforum, Bandcamp"},"content":{"rendered":"

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Both Carl Stone album releases from 2019 found their ways onto a number of Best of the Year lists, from Artforum to The Wire.<\/h3>\n

THE WIRE:<\/span>
\nHimalaya: Best of 2019 14\/100
\n“The world’s pop music has become putty in Stone’s hands. Each piece could, in theory, keep reassembling its particles infinitely”<\/em><\/h3>\n

https:\/\/www.thewire.co.uk\/issues\/431<\/a><\/p>\n

THE WIRE:<\/span>
\nBaroo: Best of 2019 27\/100
\n“Like a vivd and recurrent memory of somewhere you have never been, or an everday experience suddenly made inexplicable and strange”<\/em><\/h3>\n

https:\/\/www.thewire.co.uk\/issues\/431<\/a><\/p>\n

ARTFORUM:<\/span>
\nHimalaya: Best Music of 2019 5\/10<\/h3>\n
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How much music do you really need? Stone\u2019s work suggests that sometimes a second is enough. As he shows on Himalaya, real-time manipulation of tiny samples can yield extraordinary results, ranging from shattered-beat mosaics to oceanic stillness.<\/em><\/h3>\n

https:\/\/www.artforum.com\/print\/201910<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

BANDCAMP<\/span>
\nBaroo & Himalaya: Best Experimental Albums of 2019<\/strong>
\nThe two albums released by Carl Stone in 2019 bubble with ideas and careen with dizzying juxtapositions. He has an uncanny knack for cutting up songs and samples in ways that retain structure and melody yet still sound deconstructed and disorienting, as if the floor beneath them is bending and warping and could collapse at any time. Baroo and Himalaya both engage with pop music by rearranging its DNA, constructing a new kind of catchiness through circular edits. He can build arcs that rise and fall, and ride loops that hypnotize as they expand. The process is brainy, but both albums are also full of glee, as fun to listen to as they are to contemplate.<\/em>
\nhttps:\/\/daily.bandcamp.com\/best-experimental\/the-best-experimental-albums-of-2019<\/a><\/h3>\n

PITCHFORK:<\/span>
\nBaroo: Best Experimental Albums of 2019
\n“Like a vivd and recurrent memory of somewhere you have never been, or an everday experience suddenly made inexplicable and strange”<\/em><\/h3>\n

https:\/\/pitchfork.com\/features\/lists-and-guides\/best-experimental-albums-2019\/<\/a><\/p>\n

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These titles available through UNSEEN WORLDS<\/a> as well as on Spotify<\/a>, Apple Music<\/a>, Amazon<\/a> and finer music stores.<\/p>\n","protected":false},"excerpt":{"rendered":"

Both Carl Stone album releases from 2019 found their ways onto a number of Best of the Year lists, from Artforum to The Wire. THE WIRE: Himalaya: Best of 2019 14\/100 “The world’s pop music has become putty in Stone’s hands. Each piece could, in theory, keep reassembling its particles infinitely” https:\/\/www.thewire.co.uk\/issues\/431 THE WIRE: Baroo: … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[50],"tags":[],"class_list":["post-2871","post","type-post","status-publish","format-standard","hentry","category-press"],"_links":{"self":[{"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/posts\/2871","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/comments?post=2871"}],"version-history":[{"count":10,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/posts\/2871\/revisions"}],"predecessor-version":[{"id":2886,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/posts\/2871\/revisions\/2886"}],"wp:attachment":[{"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/media?parent=2871"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/categories?post=2871"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/tags?post=2871"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}