{"id":1313,"date":"2016-12-14T11:42:18","date_gmt":"2016-12-14T11:42:18","guid":{"rendered":"http:\/\/www.rlsto.net\/Nooz\/?p=1313"},"modified":"2017-03-27T17:51:27","modified_gmt":"2017-03-27T17:51:27","slug":"our-latest-release-scores-bandcamps-best-of-contemporary-classical-november-2016","status":"publish","type":"post","link":"https:\/\/www.rlsto.net\/Nooz\/2016\/12\/14\/our-latest-release-scores-bandcamps-best-of-contemporary-classical-november-2016\/","title":{"rendered":"Our Latest Release Score’s Bandcamp’s “Best of Contemporary Classical” November 2016"},"content":{"rendered":"

“This astounding anthology collects two-and-a-half hours of the early electronic experiments of Carl Stone, an L.A. composer who studied under Morton Subotnick and James Tenney and worked with Buchla synthesizers back in the \u201870s before finding his true passion: a kind of experimental sampling approach that presaged the developments of folks like John \u201cPlunderphonics\u201d Oswald and Paul Lansky. There are a couple of those early analog synth pieces\u2014thick, long tone drones\u2014made as a student at Cal Arts, included, but the real thrills come from the sample-based work. Stone\u2019s work relied on tape machines, building layer after layer of the same passage of music\u2014like the minute or so of Renaissance harpsichord music in \u201cSukothai\u201d that folds in on itself until there are 1024 simultaneous layers of the music piled up, and rhythms disappear in a buzzing haze of abstract sound. Towards the end of 1982, he began working with the now-primitive Publison stereo digital delay unit to create dizzying hall-of-mirrors refractions built from tiny fragments of Asian pop, American R&B and classical records that he manipulated with a maniacal rigor to generate sound profiles that drifted toward fleeting recognizability\u2014such as the lick of \u201cMy Girl\u201d in \u201cShibucho\u201d\u2014before pushing off into different chopped-up patterns. Today\u2019s technology could tackle these time-consuming time experiments with ease, but Stone\u2019s resourcefulness and originality is unmistakable, and these sounds remain fresh decades later.”<\/em><\/h3>\n

<\/h3>\n

Bandcamp is a global community where millions of fans discover new music, and directly connect with and fairly compensate the artists who make it. Their\u00a0mission is to provide all artists with a sustainable platform to distribute their music, while making it easy for fans to directly support the artists they love. This review is from the Best of Bandcamp Contemporary Classical: November\u00a02016 listings<\/a><\/h3>\n

\ngo\u00a0back to Press Clippings<\/a><\/strong><\/span>
\ngo\u00a0back to Recordings<\/a><\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

“This astounding anthology collects two-and-a-half hours of the early electronic experiments of Carl Stone, an L.A. composer who studied under Morton Subotnick and James Tenney and worked with Buchla synthesizers back in the \u201870s before finding his true passion: a kind of experimental sampling approach that presaged the developments of folks like John \u201cPlunderphonics\u201d Oswald … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19,50,36],"tags":[51],"class_list":["post-1313","post","type-post","status-publish","format-standard","hentry","category-announcements","category-press","category-recordings","tag-press"],"_links":{"self":[{"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/posts\/1313","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/comments?post=1313"}],"version-history":[{"count":5,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/posts\/1313\/revisions"}],"predecessor-version":[{"id":1556,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/posts\/1313\/revisions\/1556"}],"wp:attachment":[{"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/media?parent=1313"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/categories?post=1313"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/tags?post=1313"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}