{"id":1299,"date":"2016-12-14T10:02:21","date_gmt":"2016-12-14T10:02:21","guid":{"rendered":"http:\/\/www.rlsto.net\/Nooz\/?p=1299"},"modified":"2017-03-27T17:52:55","modified_gmt":"2017-03-27T17:52:55","slug":"pitchfork","status":"publish","type":"post","link":"https:\/\/www.rlsto.net\/Nooz\/2016\/12\/14\/pitchfork\/","title":{"rendered":"Pitchfork Weighs In With One of the First Reviews of Our 3-LP Set"},"content":{"rendered":"

“Stunning indeed, full of purring drones that at first appear to hardly be moving, only to have them slowly slide and reveal infinite amounts of overtones. It\u2019s evocative of some of my favorite minimal music from this era.<\/em><\/h3>\n

“By-turns lovely, prickly, meditative, and maddening, these eight extended compositions (some two and a half hours of music) showcase drastically different sides of Stone\u2019s work, which previously was relegated to small batch cassette releases in the \u201980s and early \u201990s. An early adopter of the computer, which he used to create his pieces, Stone\u2019s also worked with turntables and manically manipulated samples. He has electronically elongated source sounds until they take on entirely new topographies. These techniques anticipated later trends of all sorts, from the dense slivers of samples informing the Bomb Squad\u2019s productions to Plunderphonic\u2019s trash-compacting of pop music to Justin Bieber 800% Slower.<\/em><\/h3>\n

\n

From Andy Beta, published October 1 2016. You can read the<\/span> complete review here<\/a><\/h3>\n

go\u00a0back to Press Clippings<\/a><\/strong><\/span>
\ngo\u00a0back to Recordings<\/a><\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

“Stunning indeed, full of purring drones that at first appear to hardly be moving, only to have them slowly slide and reveal infinite amounts of overtones. It\u2019s evocative of some of my favorite minimal music from this era. “By-turns lovely, prickly, meditative, and maddening, these eight extended compositions (some two and a half hours of … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19,50,36],"tags":[51],"class_list":["post-1299","post","type-post","status-publish","format-standard","hentry","category-announcements","category-press","category-recordings","tag-press"],"_links":{"self":[{"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/posts\/1299","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/comments?post=1299"}],"version-history":[{"count":9,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/posts\/1299\/revisions"}],"predecessor-version":[{"id":1559,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/posts\/1299\/revisions\/1559"}],"wp:attachment":[{"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/media?parent=1299"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/categories?post=1299"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/tags?post=1299"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}