{"id":1507,"date":"2017-03-27T15:15:13","date_gmt":"2017-03-27T15:15:13","guid":{"rendered":"http:\/\/www.rlsto.net\/Nooz\/?page_id=1507"},"modified":"2017-03-27T18:01:54","modified_gmt":"2017-03-27T18:01:54","slug":"2b-press","status":"publish","type":"page","link":"https:\/\/www.rlsto.net\/Nooz\/2b-press\/","title":{"rendered":"2b: Press"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.rlsto.net\/Nooz\/wp-content\/uploads\/2017\/03\/print-press.jpg\" alt=\"\" width=\"564\" height=\"440\" class=\"aligncenter size-full wp-image-1563\" srcset=\"https:\/\/www.rlsto.net\/Nooz\/wp-content\/uploads\/2017\/03\/print-press.jpg 564w, https:\/\/www.rlsto.net\/Nooz\/wp-content\/uploads\/2017\/03\/print-press-300x234.jpg 300w\" sizes=\"auto, (max-width: 564px) 100vw, 564px\" \/><\/p>\n<h3><ul class=\"lcp_catlist\" id=\"lcp_instance_0\"><li><a href=\"https:\/\/www.rlsto.net\/Nooz\/2026\/02\/03\/the-press-speaks\/\">THE PRESS SPEAKS!<\/a><div class=\"lcp_excerpt\">\n1. Electronic Music from 1972-2022 (50th Anniversary Release)\nThe Wire: Described this retrospective as being &#8220;filled with irony, misdirection and enchanting mischief,&#8221; noting that the best way to listen is to &#8220;delight in the sheer charm.&#8221;\nObladada: Called it a &#8220;staggering&#8221; overview of his career, specifically highlighting that even his teenage compositions are &#8220;nothing short of staggering&#8221; ...<\/div><\/li><li><a href=\"https:\/\/www.rlsto.net\/Nooz\/2025\/12\/23\/los-angeles-times-profile-december-2025\/\">Los Angeles Times Profile December 2025<\/a><div class=\"lcp_excerpt\">Mark Swed from the Los Angeles Times wrote a Carl Stone profile December 10 2025\n<\/div><\/li><li><a href=\"https:\/\/www.rlsto.net\/Nooz\/2023\/09\/10\/bandcamp-profiles-carl\/\">Bandcamp Profiles Carl<\/a><div class=\"lcp_excerpt\">The Otherworldly Music of Carl Stone\n\n<\/div><\/li><li><a href=\"https:\/\/www.rlsto.net\/Nooz\/2023\/09\/08\/the-wire-reviews-carl-stones-50-year-anniversary-release\/\">The Wire Reviews Carl Stone&#8217;s 50 Year Anniversary Release<\/a><div class=\"lcp_excerpt\">\n\u00a0&#8220;Filled with irony, misdirection and enchanting mischief&#8230;there are many ways to enjoy this music, the best is to just enjoy and delight in the sheer charm.&#8221;\nhttps:\/\/unseenworlds.com\/&#8230;\/carl-stone-electronic-music&#8230;\nTheWire October 2023\n\n<\/div><\/li><li><a href=\"https:\/\/www.rlsto.net\/Nooz\/2022\/12\/09\/reworks-vol-2-makes-artforums-best-of-2022\/\">Reworks Vol. 2 Makes Artforum&#8217;s Best of 2022<\/a><div class=\"lcp_excerpt\">Carl Stone&#8217;s remix project WE JAZZ REWORKS VOL. 2\u00a0(We Jazz label) is included in Artforum&#8217;s BEST MUSIC OF 2022, curated by Jace Clayton.\nCarl was given carte blanche\u00a0to use ten releases from the Finnish label We Jazz as source material for seven new works.\nMore information \/ Listen \/ Download HERE\n&nbsp;\n<\/div><\/li><li><a href=\"https:\/\/www.rlsto.net\/Nooz\/2022\/12\/07\/wat-dong-moon-lek-makes-the-wires-rewire-best-of-2022\/\">WAT DONG MOON LEK Makes The Wire&#8217;s REWIRE -Best of 2022<\/a><div class=\"lcp_excerpt\">Once again we&#8217;re honored to be included in The Wire&#8217;s &#8220;REWIRE&#8221; Best of 2022 list. This release on Unseen Worlds keeps Carl&#8217;s unbroken streak going since 2016.\n&#8220;Carl Stone is a half-century into his career &#8211; so how is it that his music still sounds fresh? Wat Dong Moon Lek sees the West Coast composer working ...<\/div><\/li><li><a href=\"https:\/\/www.rlsto.net\/Nooz\/2022\/12\/08\/boomkat-reviews-wat-dong-moon-lek\/\">BoomKat Reviews Wat Dong Moon Lek<\/a><div class=\"lcp_excerpt\">\nBoomkat Product Review:\nAvant-garde computer music pioneer Carl Stone&#8217;s newest is a Max\/MSP powered deep dive into unsettled dreamworld sampledelica, warping pitch-fuct pop garbles into hiccuping noise spirals and quasi-techno ethno-pop bumpers. Properly off the dial material that sounds like a plunderphonic take on the Sublime Frequencies catalog, or ABBA reworked by Oval.\n&#8216;Wat Dong Moon Lek&#8217;\u00a0might ...<\/div><\/li><li><a href=\"https:\/\/www.rlsto.net\/Nooz\/2022\/09\/25\/dusted-magazine-reviews-the-gall-tones-ep\/\">DUSTED MAGAZINE Reviews the Gall Tones EP<\/a><div class=\"lcp_excerpt\">https:\/\/dustedmagazine.tumblr.com\/post\/695562898794332160\/carl-stone-gall-tones-unseen-worlds\/amp\n<\/div><\/li><li><a href=\"https:\/\/www.rlsto.net\/Nooz\/2022\/06\/26\/esquire\/\">Esquire Magazine Interview June 2022<\/a><div class=\"lcp_excerpt\">\nCarl sat down for an interview with Esquire&#8217;s Christopher Berry to talk about his time in Tokyo hunting for great sounds.\nYou can read the full interview\nHERE\n<\/div><\/li><li><a href=\"https:\/\/www.rlsto.net\/Nooz\/2021\/01\/22\/carl-stone-stolen-car-chosen-for-top-ten-2020-by-the-wire\/\">Carl Stone: STOLEN CAR Chosen for Top Ten 2020 by The Wire<\/a><div class=\"lcp_excerpt\">The January 2021 (Issue 443) edition of The Wire has chosen STOLEN CAR, Carl&#8217;s Fall 2020 release on Unseen Worlds as Number 10 in their annual round-up &#8220;Rewind 2020&#8221;!\n\n\n<\/div><\/li><li><a href=\"https:\/\/www.rlsto.net\/Nooz\/2020\/11\/12\/the-wire-reviews-latest-album-stolen-car\/\">The WIRE Reviews Latest Album &#8220;Stolen Car&#8221;<\/a><div class=\"lcp_excerpt\">The redoubtable Emily Bick of The WIRE Reviews Latest Album &#8220;Stolen Car&#8221;\n<\/div><\/li><li><a href=\"https:\/\/www.rlsto.net\/Nooz\/2021\/01\/22\/luca-publishes-spanish-language-interview-with-carl-stone\/\">LUCA Publishes Spanish Language Interview With Carl Stone<\/a><div class=\"lcp_excerpt\">Spanish language Webzine LUCA has published Carl&#8217;s first extensive Spanish language interview.\nWebzine en espa\u00f1ol LUCA ha publicado la primera entrevista extensa en espa\u00f1ol de Carl.\n\nhttp:\/\/luca.lat\/entrevistas\/musica-de-sistemas-libres\nhttp:\/\/luca.lat\/acerca-de\n<\/div><\/li><li><a href=\"https:\/\/www.rlsto.net\/Nooz\/2019\/12\/18\/baroo-himalaya-albums-both-named-best-of-2019-by-the-wire-pitchfork-artforum-bandcamp\/\">Baroo &#038; Himalaya Albums Both Named &#8220;Best of 2019&#8221;  by The Wire, Pitchfork, Artforum, Bandcamp<\/a><div class=\"lcp_excerpt\">\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nBoth Carl Stone album releases from 2019 found their ways onto a number of Best of the Year lists, from Artforum to The Wire.\nTHE WIRE:\nHimalaya: Best of 2019 14\/100\n&#8220;The world&#8217;s pop music has become putty in Stone&#8217;s hands. Each piece could, in theory, keep reassembling its particles infinitely&#8221;\nhttps:\/\/www.thewire.co.uk\/issues\/431\nTHE WIRE:\nBaroo: Best of 2019 27\/100\n&#8220;Like a vivd ...<\/div><\/li><li><a href=\"https:\/\/www.rlsto.net\/Nooz\/2019\/11\/06\/full-review-himalaya\/\">Full Review of HIMALAYA in The Wire&#8217;s December 2019 Issue<\/a><div class=\"lcp_excerpt\">Carl Stone made the wise decision to split his latest creations over several releases.\n\nCarl Stone Himalaya Unseen Worlds CD\/DL\/2xLP \n&nbsp;\nIt takes 35 minutes to reach the summit of Carl Stone\u2019s new Himalaya. To arrive there, you ascend through manically cut up and overlaid Afrobeats, funk and hiphop grooves together with a tasty disco riff that ...<\/div><\/li><li><a href=\"https:\/\/www.rlsto.net\/Nooz\/2019\/11\/06\/the-wires-review\/\">The Wire\u2019s review of Himalaya, my latest release<\/a><div class=\"lcp_excerpt\">Happy to report, The Wire\u2019s review of Himalaya, my latest release, is pretty much a rave.\n\nExcerpt: It takes 35 minutes to reach the summit of Carl Stone\u2019s new Himalaya. To arrive there, you ascend through manically cut up and overlaid Afrobeats, funk and hiphop grooves together with a tasty disco riff that reassembles the very ...<\/div><\/li><li><a href=\"https:\/\/www.rlsto.net\/Nooz\/2019\/05\/22\/the-wire-reviews-my-latest-release-on-unseen-worlds\/\">The Wire reviews my latest release on Unseen Worlds<\/a><div class=\"lcp_excerpt\">&#8220;It&#8217;s terrific&#8230;.Stone is still ahead of the game when it comes to his knack for discovering a world of music in a grain of sound.&#8221;\nBaroo The Wire Review April 2019\n<\/div><\/li><li><a href=\"https:\/\/www.rlsto.net\/Nooz\/2018\/12\/06\/thewire-2018\/\">The Wire Includes Us In The Top Ranks of Their Annual Roundup<\/a><div class=\"lcp_excerpt\">\nWire year end 2018\n\n<\/div><\/li><li><a href=\"https:\/\/www.rlsto.net\/Nooz\/2017\/07\/25\/the-wire\/\">The Wire Reviews Realistic Monk at Cafe Oto for its Historic 400th Issue<\/a><div class=\"lcp_excerpt\">&#8220;Drones and soundscapes in the cosy interior of Cafe Oto are the ideal counterpoint to a dank early spring afternoon in London, but the real draw that\u2019s brought so many out are solo and combined performances by two innovating musicians\u2026put the two together, the soft and subtle crafting of Miki Yui and the popped out ...<\/div><\/li><li><a href=\"https:\/\/www.rlsto.net\/Nooz\/2017\/03\/27\/hotel-2017\/\">British Literary Mag Hotel Publishes Jack Goldstein&#8217;s Treatise on Carl Stone&#8217;s &#8220;VIM&#8221;<\/a><div class=\"lcp_excerpt\">\nJack Goldstein makes the inevitable connection between Carl Stone&#8217;s eighties composition VIM, the Beach Boys, Thai food and Karl Marx&#8217;s economic analogies, all while sharing Turkish food and talking to Carl in London.\nhttp:\/\/partisanhotel.co.uk\/Jack-Goldstein-Carl-Stone\ngo\u00a0back to Press Clippings\ngo\u00a0back to Recordings\n<\/div><\/li><li><a href=\"https:\/\/www.rlsto.net\/Nooz\/2017\/03\/27\/zurkonic-reviews-our-brooklyn-concert-march-2017\/\">Zurkonic Reviews Our Brooklyn Concert March 2017<\/a><div class=\"lcp_excerpt\">&#8220;I&#8217;ve never been moved to jump out of my seat at the end of the performance but I&#8217;ll be damned if I didn&#8217;t even realize I was standing until I had been clapping rapturously along with the rest of the crowd for a couple minutes.\n&#8220;The show&#8217;s last piece would be the one that solidified Stone ...<\/div><\/li><\/ul><\/h3>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1507","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/pages\/1507","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/comments?post=1507"}],"version-history":[{"count":9,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/pages\/1507\/revisions"}],"predecessor-version":[{"id":1564,"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/pages\/1507\/revisions\/1564"}],"wp:attachment":[{"href":"https:\/\/www.rlsto.net\/Nooz\/wp-json\/wp\/v2\/media?parent=1507"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}