2016 年 ９月 １８ 日 (日) 20h00
Carl does a solo set at SPEKTRUM, the very cool venue in Neukoln Berlin. New work! Come check it out!
- Carl Stone
- Giovanni Verga & Sara Picco
料 金： donation between 8 and 12€
2016 年 ９月 １７ 日 (土) 開場 20h30 開演 21h00
For the finale of the Osmodrama Festival, Carl Stone and Wolfgang Georgsdorf will join electro acoustic compositions with olfactory art in a live performance. Soundscapes meet scentscapes. Carl Stone, an internationally acclaimed pioneer of electronic live music draws on his large repertoire of sound material; soundscapes that will become smellable through the interpretation on Smeller 2.0. Smelling a whole new world. Following this concert, sound and scenttracks by Sam Auinger and Matthias Haenisch amongst others will be played all night.
Some videos about Osmodrama (including interviews with Carl Stone) can be found at https://www.youtube.com/channel/UCQ79J-4URhViTz4f6Z3TMnA or https://vimeo.com/user44154717/videos
Online tickets available through Radialsystem V: http://preview.tinyurl.com/hf44bp7
Contact data for further information can be found at http://osmodrama.com/contact/
料 金： 18€ / reduced 12€
Auguststr. 90, 10117 Berlin
電話: For Press: Marte Kräher, 0176 – 485 38 114, firstname.lastname@example.org
Achim Klapp, 0173 – 297 08 19, email@example.com
2016 年 ９月 １３ 日 (火) 20h00
Royal Academy of Music, Aarhus. DIEM ElekTro concert series
Carl Stone presents his evening length work FUJIKEN (富士軒)
FUJIKEN was composed between 2012 and 2013 in Tokyo where Carl Stone resides for much of the year. The work blends field recordings made through Southeast Asia (Vietnam, Thailand, Cambodia and Japan) with appropriated music mostly from street cassettes, processed and resynthesized. The work has no set structure and although some sections have been more or less determined as to their materials and methods of manipulation, the overall form as well as the smaller musical details are open and improvised. Field materials tonight might include recorded meandering on the Chao Praya river (Bangkok), a fire outbreak in Phnom Pehn, college sports practice in Toyota City Japan, and whatever else the mood might seek.
Steve Smith, New York Times:
“(Carl Stone’s) music was a powerful stimulant with lingering euphoric effects. Voices stretched like taffy were folded into ghostly choruses; the whine of a stringed instrument became a mosquito arabesque. Noises normally rejected, like surface scrapes and static bursts, provided fertile sonic lodes.”
Jonathan Gold, Los Angeles Times:
” Is Carl Stone celebrated today for his tendency to name his opuses after his favorite restaurants – Kong-Joo and Sukothai instead of Serenade or Sonata in C# minor? Perhaps. It makes the pieces evocative of a specific time and place, and hints at the trans-global origins of the source material, while maintaining an almost absolute level of abstraction. How did he arrive on bricolage as an aesthetic strategy? Feed him a glass of Suntory and he may confess that it may have arisen from a work-study job in the uncrowded Cal Arts music library when he was an undergraduate, a job that put tens of thousands of recordings at his disposal and countless hours in which to listen to them.”
料 金： 無料
Aarhus Concert Hall
Chamber Music Hall
8000 Aarhus C
電話: +45 72 26 74 21
2016 年 ９月 １２ 日 (月) 開場 19h30 開演 20h00
Carl returns to Copenhagen for his first solo performance in – yikes – 35 years! This time the plan is to bring down laptop mayhem at a music club of the same name.
料 金： 60 DKR
2016 年 ９月 １２ 日 (月) 15h00
Carl will give an afternoon talk about his music as part of a lecture series organized by the DJBFA, the Danish organization for composers and songwriters. Tobias Kirstein – one of the creators of this unique gathering point for experimental music scene in Denmark – will also make a presentation. Registration in advance required. Please email to firstname.lastname@example.org
Ragnhildgade 1, Købehavn NV
2016 年 ９月 １０ 日 (土) 開場 21h00 21h30
REALISTIC MONK Hamburg debut performance. Westwerk is a gallery. Westwerk is a club. Westwerk is an old building in the centre of Hamburg. Westwerk is a group of artists and creatively minded people who maintain and programme this location as an off-space, an art gallery, a music club, a site for installations, performances, readings and events on the ground floor of an artists’ house located in an old building in the middle of Hamburg’s city centre. Realistic Monk concentrates on smaller sounds, sometimes at the edge of perception, encouraging concentrated listening as they create deep soundscapes that emerge out of voices, noises, field recordings and acoustic feedback.
料 金： 10EUR/8EUR
2016 年 ９月 ７ 日 (水) 開場 20h00 開演 20h30
Carl returns to Belgium after a decade long absence to do a quickly arranged and hopefully fun event at Q-02, a structurally subsidized workspace for experimental contemporary music and sound art that has existed since 2006 and has its own space in the Brussels canal zone. Carl will peform a solo set of recent work. Also on the bill will be sound-artist, radio maker and searching musician Stijn Demeulenaere. Check it out!
料 金： 5 €
Koolmijnenkaai 30-34, 1080 Brussels
電話: +32 (0)2 245 48 24
2016 年 ９月 ６ 日 (火) 開場 20:00 開演 20:30
REALISTIC MONK (Carl Stone + Miki Yui) perform at Filmwerkstatt, the comfortable cinema with great sound that hosted Carl’s solo performance in 2014. The unit’s title, Realistic Monk, is a simple anagram of the names of its members. They concentrate on smaller sounds, sometimes at the edge of perception, encouraging concentrated listening as they create deep soundscapes that emerge out of voices, noises, field recordings and acoustic feedback.
料 金： 8 EUR / 6 EUR (student discount)
2016 年 ９月 １１ 日 (日) 20h00-21h00 (Central Europe)
Carl in conversation with Jan Stricker from The Lake Radio, live on the internet from 20h00-21h00 (Central Europe) [2PM-3PM (New York 27h00-28h00 (Japan)]. Music included!
Broadcasting from Copenhagen to the world, The Lake is on air 24 hours daily at www.thelakeradio.com. The Lake aims to be the anti-thesis of commercial radio. Its function is to serve as a platform for experimental and inspiring music and sounds, without playlists, boundaries or limitations. The carefully curated library spans all decades of recorded audio, crossing geographical borders, languages and genres.
The Lake Radio