March 6 Open 8:00 start 9:00 Los Angeles CA Zebulon

Wednesday March 6 2019 Open 8:00 start 9:00

Carl returns to hometown Los Angeles to perform at Zebulon. Some pieces from his new album on Unseen Worlds and some even newer material as well. Also on the bill Booker Stardrum + Celia Hollander. Carl’s first performance in LA since 2017!

Artists:

  • Carl Stone
  • Booker Stardrum + Celia Hollander

Free!


Zebulon
2478 Fletcher Dr, Los Angeles, CA 90039, USA
323-663-6927
http://zebulon.la/
https://www.facebook.com/events/2166458533667143/

END OF YEAR: The Good, The Bad, The Ugly

Greetings! I hope this finds you well! HAPPY NEW YEAR!

Welcome to the first Noozletter of 2019 (or the last one of 2018, depending on your time zone). As we cross over into the new year, I like to pause and reflect on the one past. It was in many respects a great year, but with a couple of serious bad points that cannot be ignored. The Good The Bad The Ugly

For the good:

Highlight Performances

I enjoyed virtually all of my 2018 gigs, but there are a couple of standouts. The audience rising up and dancing spontaneously to my music in Lima Peru thrilled me to the core. Being able to share the bill with Yasuaki Shimizu at the Barbicon Center in London was a distinct pleasure. Any chance to collaborate with Sankaijuku dancer/choreographer Dai Matsuoka never disappoints. And playing my compositions on a mostly-folk series in a small village in Scotland where the audience had little to no exposure to live experimental computer music yet gave me a rousing ovation and bought all my merchandise, was like a dream come true.

Travel

While still based in Japan I had a number of overseas tours and run-outs. Two tours in Europe, one solo and one with my musical partner Miki Yui as Realistic Monk. It was tremendous fun to visit Peru for the first time – wonderful people, great audiences, and some terrific food. I was able to follow up my first visit to Scotland by a second trip two months later. Both were great fun – and despite any stereotypes, I had a number of excellent meals there.

Media Attention

New releases

  • In June, Unseen Worlds released the follow-up to my 2016 release of archival works. This one is called New Electronic Music from the Eighties and Nineties. As before, I was very happy with the response from both the public and the critics. The first pressing sold out in a matter of weeks, and some of the reviews are quoted in other parts of this letter. I couldn’t be happier working with IUnseen Worlds, and am looking forward to a new release with them in 2019, featuring my recent work from the past couple of years. http://www.unseenworlds.com/releases/electronic-music-from-the-eighties-and-nineties
  • In September, Meakusma released Realm, the first album of REALISTIC MONK, my duo project with Japanese born, German based sound artist Miki Yui. With liner notes from David Toop, this release has proved a hit especially amongst lovers of experimental ambient cinema sonore. https://meakusma.bandcamp.com/album/realm-2

Collaborators

Big thanks to all my wonderful collaborators this past year! It has been so great working with each and every one of you.
Akaihirume, Pearl Alexander, Altered States, Anna Irite, Soo Yeon Lyuh, Dai Matsuoka, Ned Rothenberg, SAEBORG, Yasuaki Shimizu, Aki Takahashi, Ami Yamasaki, Miki Yui – Bless you all!

For the Bad:

Without question the darkest moment in the year was the sudden passing of my longtime friend, critic Jonathan Gold. Not only was he a good friend and great eating partner but always a staunch supporter of my music. He plugged me numerous times in his columns, wrote program notes for my concert at the Getty Center and did the liner notes for my first LP release on Unseen Worlds. But more than that, he was a just a great guy in every sense and his disappearance is a terrible loss for Los Angeles in particular. I was heartened by the tremendous outpouring of love that the city showed after he passed, from changing the lights at City Hall and LAX airport, naming a plaza in front of Grand Central Market, and many other tributes. It is going to be very strange to visit LA next time without him there. https://www.nytimes.com/2018/07/21/obituaries/jonathan-gold-dead-los-angeles-food-critic.html

 

For the Ugly

What, Donald Trump is still president? Are you kidding??? We really have to do something about that PRONTO.

On the horizon:

A three city tour in Taiwan with Akaihirume in January. Performing in New York and at The Big Ears Festival (Knoxville) in March. Berlin in June. DUBLAB will be hosting a serial presentation of some of my composer interviews originally broadcast on KPFK in the 1980’s, including Steve Reich, Terry Riley, Chen Yi, Toru Takemitsu and more.

==========

Keep your ears peeled!
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News/Schedule/Photos/Music Clips: http://www.rlsto.net/Nooz/

March 16 open 7PM start 8PM Brooklyn NY Murmrr Ballroom

Saturday March 16 2019 open 7PM start 8PM
In keeping with his migratory patterns, Carl returns to Brooklyn in March to perform, this time at MURMRR, the event space inside the historic Union Temple of Brooklyn, Also on the bill, the endlessly engaging percussionist Eli Keszler.

Artists:

$15-20

Murmrr Ballroom
17 Eastern Pkwy, Brooklyn, NY 11238
Brooklyn NY

hello@murmrr.com
https://www.murmrr.com/event/1819687-carl-stone-eli-keszler-brooklyn/
https://www.ticketfly.com/purchase/event/1819687?utm_medium=bks
https://www.facebook.com/events/231286371158011/

March 17 8:00 PM Washington DC Rhizome DC

Sunday March 17 2019 8:00 PM
Carl returns to the nation’s capitol for a performance at Rhizome DC, a nonprofit community arts space located in the Takoma neighborhood of Washington DC. Carl’s last performance in DC was at the New Music America festival – in 1983!!

Artists:

  • Carl Stone
  • Susan Alcorn & Biliana Voutchkova Duo

$15

Rhizome DC
6950 Maple St NW / Washington DC 20012
Washington DC

info@rhizomedc.org
rhizomedc.org

March 18 open 8:30PM start 9:00PM Baltimore MD The Red Room

Monday March 18 2019 open 8:30PM start 9:00PM Carl’s Baltimore debut could not be at a finer place, i.e. The Red Room under the support of the High Zero Foundation. As they themselves describe, the Red Room venue is THE laboratory for paracultural revolution of the Mid-Atlantic Region. It is a space run entirely by volunteers, intent on expanding their own and society’s cultural horizons—“expanding the definition of expanding the definition.” Carl will perform a solo set and for the second part of the evening will hopefully be joined by the special guest Japanese voice artist AMI.

Artists:

  • Carl Stone
  • AMI

$10 / $5

The Red Room
425 E 31st St. Baltimore MD
Baltimore MD

Map (English) at here
http://http://redroom.org/

March 22 2:30 PM Knoxville TN The Standard Big Ears Festival 2019



Friday March 22 2019 2:30 PM
Carl joins the fun at this year’s Big Ears festival. The lineup is again unlike any other in the country, mixing an audacious slate of special programs, central themes, and world premieres with powerful sets from some of music’s most compelling new voices. Big Ears 2019 will turn Knoxville into one of the world’s creative epicenters for a remarkable long weekend, March 21-24

More information:
TWITTER: @BigEarsFestival
INSTAGRAM: #BigEarsKnox
FACEBOOK: Search @BigEarsFestival


https://bigearsfestival.org/tickets/

The Standard
16 W Jackson Ave, Knoxville, TN 37902
Knoxville TN

https://bigearsfestival.org/
https://bigearsfestival.org/schedule/#/

March 23 4:00 PM Knoxville TN Knoxville Museum of Art Big Ears Festival 2019

Saturday March 23 2019 4:00 PM
Carl joins the fun at this year’s Big Ears For this performance at the Knoxville Museum of Art’s Contemporary Gallery, he will perform his multi-channel composition FUJIKEN, made from field recordings and cassettes during his travels throughout Southeast Asia. The performance will take place utilizing the Roedelius Cells multi-channel sound system specially installed in the gallery.

The festival lineup is again unlike any other in the country, mixing an audacious slate of special programs, central themes, and world premieres with powerful sets from some of music’s most compelling new voices. Big Ears 2019 will turn Knoxville into one of the world’s creative epicenters for a remarkable long weekend, March 21-24

More information:
TWITTER: @BigEarsFestival
INSTAGRAM: #BigEarsKnox
FACEBOOK: Search @BigEarsFestival

https://bigearsfestival.org/tickets/

Knoxville Museum of Art
16 W Jackson Ave, Knoxville, TN 37902
Knoxville TN

https://bigearsfestival.org/
https://bigearsfestival.org/schedule/#/